The best report, and one endorsed by Robert Fripp for its honesty, is in Eric Tamms’s now out-of-print biography of Fripp.
But one of my coursemates from a couple of weeks ago has posted a very full and personal account of the course …
Read More >The best report, and one endorsed by Robert Fripp for its honesty, is in Eric Tamms’s now out-of-print biography of Fripp.
But one of my coursemates from a couple of weeks ago has posted a very full and personal account of the course …
Read More >Almost a week back from Barcelona and still catching up with the repercussions – partly things kicked up by the Guitar Craft course, and partly the repercussions of being away for almost two weeks just before Christmas.
This has been a busy couple of weeks, doing things I've never done before. First was giving a talk at a conference (the E-learning Network in London); getting the WaveForms soundtoy (previous post) up and running, which took up hours of two of my Flash-scient …
Read More >Last night I took my turn to perform the compere role at the Listening Room. It was particularly noisy due to the happy celebration of a wedding. Whenever I have this role, the aspect I find most uncomfortable is the beginning of the evening, where …
Read More >The group challenge over, I have a slight tension headache. Talking about applause and the need for approval, Fripp says he doesn’t look for approval or liking, just someone who’ll tell him honestly if a performance made it or sucked.
At lunch, performed Flee As …
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